Translating Shakespeare to English?

Over at The New Repub­lic are duel­ing columns on the sub­ject of whether or not Shake­speare should be, effec­tively, trans­lated into mod­ern eng­lish. The pro argu­ment is deliv­ered by John McWhorter and the con by Antoni Cimolino.

In the first place, this is a silly dis­agree­ment. It is not like the orig­i­nal Shak­s­peare plays will be lost to future gen­er­a­tions if some­one rewrites them into mod­ern eng­lish (I own four com­plete Shake­speares myself!) So if some­one wants to make the attempt then best of luck to them. If some­one actu­ally man­ages a rewrite that is up to (or nearly so) Shakespeare’s orig­i­nal, then that strikes me as a big win. And if they fail, then no loss. Just con­tem­plat­ing this is a good reminder of what one might be miss­ing when­ever read­ing a trans­lated text.

It hap­pens that I’ve been read­ing a lot of Shake­speare lately. I’ve read nine plays and in the mid­dle of num­ber ten. I started by read­ing from The Yale Shake­speare edi­tion because each play is its own vol­ume so there is no heavy book to haul around. But for some rea­son, my The Yale Shake­speare does not include the three parts of Henry VI and Richard III. So when I got to Henry VI the choice pre­sented itself of read­ing from The River­side Shake­speare or from the Uni­ver­sity of Chicago’s Great Books edition.

The River­side is in one vol­ume with lots of notes and intro­duc­tory mate­r­ial mak­ing it a large heavy book. The U of C edi­tion is in two vol­umes and no notes with just one page of biog­ra­phy mak­ing it a much eas­ier book to han­dle. So I went with con­ve­nience over notes.

I dis­cov­ered almost imme­di­ately that read­ing Shake­speare with­out the notes is more enjoy­able and, to my mind, more com­pre­hen­si­ble. Yes, I’m sure it helps that I took a cou­ple of Shake­speare classes in col­lege (30 years ago!) and that I had just read sev­eral plays with the notes before read­ing with­out the notes, but when I read Mr. Cimolino arti­cle in defense of the orig­i­nal plays it made a lot of sense. He points out that a tal­ented actor will deliver the lines in such a way as to con­vey their mean­ing. I have found that read­ing straight through with­out stop­ping to look at a foot­note has a sim­i­lar effect.

Some­times I have had to read a given speech or con­ver­sa­tion twice to under­stand it and I am cer­tain that there is plenty that I am miss­ing. I look for­ward to reread­ing the plays some­day to under­stand more.

The argu­ment in The New Repub­lic has more to do with the plays as per­formed than as read. I am not sure I’ve ever seen a per­for­mance of a Shake­speare play. I do remem­ber attend­ing an Eliz­a­bethan play and hav­ing a dif­fi­cult time fol­low­ing what was going on so I can sym­pa­thize with those who might pre­fer a trans­la­tion. But I felt that my lack of under­stand­ing had as much to do with not under­stand­ing what the actors actu­ally said as much as not under­stand­ing the mean­ing. So I also sym­pa­thize with the notion that com­pe­tent actors might make the mate­r­ial more accessable.

And there is always the idea of read­ing the play before watch­ing the performance.

So, rewrite if you want, but like any trans­la­tion, it will never be as good as the orig­i­nal.

Tagged as: Shakespeare